So as I descend into Grand Army Plaza to catch the 2 or 3 I see my coworker George coming in from the other side. Not sure if he sees me or not, but he jets down the stairs and begins to walk briskly down the platform. Taking this as a slight I decide that I need to exact revenge by drawing him,
as I have done before. He is quite a bit of ahead of me still as the 2 rolls in.
The woman in the purple coat was definitely rocking the i spent a lot of time this morning to look just slightly dishevelved, but in a very engineered way. Kinda worked for her though.
He is at the end of the same car but,
obscured by the crowd. But as we switch over to the 1 at Chambers,
I catch him and his paper.
A few moments on the platform at Grand Army Plaza (little one on the right), and then struggling with George sketch on the 2.
A little better once he was sitting.
Between the prominent forehead and the bun like halved masses of hair, woman on left's hair made me think of the priestesses from Dune, without all the scariness.
The woman in the purple coat was definitely rocking the i spent a lot of time this morning to look just slightly dishevelved, but in a very engineered way. Kinda worked for her though.
He is at the end of the same car but,
obscured by the crowd. But as we switch over to the 1 at Chambers,
I catch him and his paper.
Quick and unflattering sketch from the short Union-Atlantic Av leg.
Got on the 3 at Atlantic and I spotted my co-worker George in my car. Giggled to myself as I drew him on the down low. Didn't feel like this really captured his essence though...
So even when he caught site of me I kept on going. This one is more signature George.
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